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Wednesday, July 22, 2020 | History

4 edition of Postmodernism and the en-gendering of Marcel Duchamp found in the catalog.

Postmodernism and the en-gendering of Marcel Duchamp

Amelia Jones

Postmodernism and the en-gendering of Marcel Duchamp

by Amelia Jones

  • 118 Want to read
  • 10 Currently reading

Published by Cambridge University Press .
Written in English


Edition Notes

StatementAmelia Jones.
SeriesCambridge studies in new art history & criticism
The Physical Object
Pagination(400)p. :
Number of Pages400
ID Numbers
Open LibraryOL15058595M
ISBN 100521456541

Steven Best and Douglas Kellner identify Rauschenberg and Jasper Johns as part of the transitional phase, influenced by Marcel Duchamp, between modernism and postmodernism. These artists used images of ordinary objects, or the objects themselves, in their work, while retaining the abstraction and painterly gestures of high modernism. She has curated many exhibitions and is the author of Postmodernism and the En-Gendering of Marcel Duchamp (), Body Art/Performing the Subject (), and Irrational Modernism: A Neurasthenic History of New York Dada ().

Vladimir Tatlin develops his constructions and Marcel Duchamp proposes his readymades, the first as a transformation of Cubism, the second as a break with it; in doing so, they offer complementary critiques of the traditional mediums of art -- box: The "Peau de l'Ours" -- Jul 30,  · The Duchampian Phallus I’ve written a book entitled Postmodernism and the En-Gendering of Marcel Duchamp. This book attempts to make a critical intervention into dominant histories and .

Jul 27,  · I have no idea how she does it, but she does). Her first book, Postmodernism and the En-Gendering of Marcel Duchamp, was based off of her doctoral dissertation and was published in Since then she has published another four books, edited several more, and has published countless articles. Any article titled "Postmodernism is dead" already has much to recommend it.:) Seriously, it is a well-written article on the whole, although there is much to argue about. For instance, how does any of the history of pomo make sense if one could easily say that Joyce and Duchamp were postmodernists.


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Postmodernism and the en-gendering of Marcel Duchamp by Amelia Jones Download PDF EPUB FB2

This book serves as a critical analysis of postmodernism in the visual arts since the s, focusing primarily on American texts that deem Marcel Duchamp to be the originator of postmodern fixdemocracynow.com by: A critical analysis of postmodernism in the visual arts since the s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art/5(6).

Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criticism) by Amelia Jones () Paperback – Author: Amelia Jones. Dec 10,  · A critical analysis of postmodernism in the visual arts since the s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art/5(6).

Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. Postmodernism and the en-gendering of Marcel Duchamp in SearchWorks catalog Skip to search Skip to main contentAuthor: Jones, Amelia. Postmodernism and the En-Gendering of Marcel Duchamp - Amelia Jones - Google Books A critical analysis of postmodernism in the visual arts since the s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art.4/5(1).

postmodernism and the en-gendering of marcel duchamp. cambridge p., 50 d. Users without a subscription are not able to see the full content. Please, subscribe or login to access all content. Postmodernism and the en-gendering of Marcel Duchamp Jones, Amelia A critical analysis of postmodernism in the visual arts since the s, this book focuses primarily on American texts that reference and construct Marcel Duchamp as the originator of postmodern art.

Buy Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge Studies in New Art History and Criticism) by Amelia Jones (ISBN: ) from Amazon's Book Store.

Everyday low prices and free delivery on eligible fixdemocracynow.com: Amelia Jones. Postmodernism and the en-gendering of Marcel Duchamp.

[Amelia Jones] -- Postmodernism and the En-qendering of Marcel Duchamp is a critical analysis of postmodernism in the visual arts since the fixdemocracynow.comng primarily on American texts that construct Marcel Duchamp.

Amelia Jones is Pilkington Professor in the History of Art at the University of Manchester. She has curated many exhibitions and is the author of "Postmodernism and the En-Gendering of Marcel Duchamp "(), "Body Art/Performing the Subject "(), and "Irrational Modernism: A Neurasthenic History of New York Dada ""().

Amelia Jones is Pilkington Professor in the History of Art at the University of Manchester. She has curated many exhibitions and is the author of "Postmodernism and the En-Gendering of Marcel.

Sep 16,  · This gave rise to the two distinct schools of Postmodern art theory, Deconstructivism and Constructivism. The sub movements of postmodernism were installation art. Performance art, conceptual art, pop art etc. Marcel Duchamp was the father of the conceptual art.

His FOUNTAIN was most iconic and conceptually potent creation. that all of the features of postmodernism I am about to enumerate can be detected, full-blown, in this or that preceding modernism (including such astonishing genealogical precursors as Gertrude Stein, Raymond Roussel, or Marcel Duchamp, who may be considered outright post-modernists, avant la lettre).

What has not been taken into account by this. She has organised exhibitions including Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History at the UCLA/Armand Hammer Art Museum (), and her publications include the co-edited anthology Performing the Body/Performing the Text (), Body Art/Performing the Subject (), and Postmodernism and the En-Gendering of Marcel /5(2).

Amelia Jones, Postmodernism and the En-Gendering of Marcel Duchamp, Cambridge University Press,xx+ pp, ARG. (English) Jerrold Seigel, The Private Worlds of Marcel Duchamp: Desire, Liberation, and the Self in Modern Culture, University of California Press,HTML.

Jindřich Chalupecký, Úděl umělce. Duchampovské meditace, fixdemocracynow.com: UbuWeb Film, UbuWeb Sound, Dada Companion. Fundació Gala - Salvador Dalí. Idiomes: Català Castellano English Français 中文. Summary of Postmodern Art. Postmodernism is best understood by defining the modernist ethos it replaced - that of the avant-garde who were active from s to the s.

The various artists in the modern period were driven by a radical and forward thinking approach, ideas of technological positivity, and grand narratives of Western domination and progress. Jones, Postmodernism and the En-gendering of Marcel Duchamp, Jacques Lacan’s discussion of transference is particularly helpful here, since it can also be applied to a reading of the readymade.

As he states: “If transference is only repetition, it will always be repetition of the same missed experience.”. She is the author of Postmodernism and the En-Gendering of Marcel Duchamp () and has curated several exhibitions.

This is a deeply moving and important study-not only the best book on the subject but one of the most brilliant books in any area of art history to appear in some time. Mar 29,  · She is the author of Postmodernism and the En-Gendering of Marcel Duchamp (Cambridge University Press, ), Body Art/Performing the Subject (University of Minnesota Press, ), Irrational Modernism: A Neurasthenic History of New York Dada (MIT, ), and Self-Image (Routledge, ).Henderson, Linda Darlymple: Duchamp in Context: Science and Technology in the "Large Glass" and Related Works.

Princeton UP, Princeton, Sanouillet, Michel – Peterson, Elmer (eds.): The Writings of Marcel Duchamp. DaCapo Press, New York, Jones, Amelia: Postmodernism and the En-Gendering of Marcel Duchamp.

Cambridge UP, Cambridge, Her dissertation was later turned into a published book, Postmodernism and the Engendering of Marcel Duchamp (). After completing her education, Jones began to focus on her career and starting a family.

On March 7, Jones married Anthony Sherin a film editor. The two later divorced in Alma mater: University of California, Los Angeles.